After five fairly continuous years of blogging, foruming, researching, dressmaking, and costuming, I am out of breath. It's time for a break.
Since early December, the Blackberry has been dark except for when it's needed for the office work, the Google Reader has incrementally filled until it's jammed with unread posts from the blogs I normally enjoy reading so very much, many of them yours. The costuming books are back on their shelves, the mannequin in storage, the period cookbooks and cooking histories in their boxes. One morning, the costumes were packed more or less carefully and sent to the basement.
Christmas was delightful, and restful, except for the inevitable oh-no-I-forgot moments, New Year's promises the same, except for the oh-no-I-still-need-to-write-cards moments.
I am contemplating taking out my German grammar, half-read German-language novels, dabbling with the antique Saxony spinning wheel my Dad and stepmother gave me, am thinking up Tinkertoy and Lego projects to work on with the boys, looking forward to a staycation with Curte, and listing out the painting and other house projects that need attention but not stress. Then there's a Regency-inspired amusement to plan with the little sewing group...one that won't involve any sewing.
The point is to rest and rejuvenate.
I've so much more to share. Goodness, the boys are growing and making life funny, frustrating and silly all at once. There's the last of the 1790s project: the white 1795 dress experiment, with all I learned about very late open robes...of a style found in museums but not in Janet Arnold, and Polly's light-as-air mull robe. There are all the examples of extant garments in my collection: the cap with embroidery so fine a strong magnifying glass is needed to see the stitching and the whipping, the original crinolines (plural!), the 1860s silk dress in damaged enough condition to fully understand the construction, the late Victorian belt buckles in cloisonne, imitation jet and cut steel, the several Edwardian workaday skirts, the very ornate mid-century chemise encrusted with fine embroideries and teeny-tiny puffings. There is the 2010 Antique Button Hoard, bought for a song, and full of early bone buttons, china buttons plain and fancy and large and small, button boot buttons, and a military button of great interest.
They are all waiting for me to come back, refreshed. I hope you will not mind waiting. I've so enjoyed your presence and your attention, and hope that you have learned bits and drabs here that you can use or tuck away. Your comments and sweet thoughts have certainly been appreciated.
When will the moment be? Predictions are dangerous, so let us say, "for the nonce".
Happy New Year, and very best, until we meet again.
Wednesday, December 08, 2010
Last Saturday, a change of heart. The "Holiday Gingerbread Cookies" Jenni baked for our morning of cookie-decorating with the tots were crisp, but with cracker-ish layers to keep them gentle in the biting, highly spiced but without bitterness, and no dustiness lurking anywhere. Really good cookies.
Did we have a good time. The tots always look forward to visits with Autumn Jane, and this morning was no exception. The cookies were merely icing on the cake. Bad pun, sorry folks, couldn't help it.
Read more in the Sweet Success post on Jenni's blog, Living with Jane.
The Christmas season has begun!
Wednesday, December 01, 2010
|Fanology or the Ladies|
Conversation Fan, a printed fan,
the leaf a hand-coloured engraving
in stipple and line.
1797. From Christie's
sale 7295, lot 86, 2001.
As always, click on each image to see a larger version.
Historical Tidbits and Some Personal Speculations about Fans
Most people who admire the Georgian period know that women used fans as a fashion prop and, supposedly, as a mode of silent communication during parties and public events, as much as they used them to air and cool themselves. Certainly the stiff hairdos and heavy dresses needed a little air, and the Georgian culture, so soaked in intrigue, repartee, and artifice would make it natural to point at one’s face with a fan – just so – to tell a significant other that “I’m soooo bored” or “visit me later, please”. (Learn more in The Language of the Fan on the So Faithful a Heart blog, and Ladies' Regency Fans on Jane Austen's World.)
It's a good bet, too, that said fan would feature Rococo curls, shells, swags, and shepherds and shepherdesses billing and cooing along with the doves in the trees around them. The décor and subject matter mirrored that popular in painting, in the decorative arts, and in fashion, just as it usually does.
So what were fans like in the 1790s and into the Regency? I took a look at fans in the Boston Museum of Fine Arts, the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Victoria and Albert Museum, and the Costumer's Manifesto. Christie's auction house proved useful, too; for example, their 2001 Fine Fans auction. In most online collections, however, the images are too small to see many details well, or one must enlarge the image in a small window and pan left and right to see much detail, or the fans are partly folded up.
Most happily, I found the collection at the British Museum. Here, the images are large enough to see crucial details. I searched for all unmounted fan leaves between 1780-1810, and after trying to view too many hundreds to look within the time I had, narrowed the search to 1795-1802. Best of all, you can order a high-res image from them for many of the images for research purposes, so you can really see the details!
|Evening dress, April 1796. The Gallery of Fashion magazine,|
in the Collection Maciet, Bibliotheque des Arts Decoratifs.
Purely decoratively speaking and in very broad strokes, by the 1780s fan designers had abandoned Rococo curls and shells for more regular, more Classical designs, designs that you might be familiar with from Sheraton furniture or architectural ornament by the Adams brothers. Light, airy, attenuated, packed with allusions to Classical myth, such designs went well with the light and frothy look of the 1780s and '90s fashions. As the nineteenth century rolled around, purely decorative designs became more bold, more "correctly" Greek or Roman, more serious, at least for awhile, until fluffy tendencies crept back in in the 18-teens, right as frills and furbelows crept back into dress.
What about subject matter? Here is where things, to me, anyhow, become so fascinating, for I was taken aback at the vast variety of subjects. Here is some idea of scope:
- flirtation in a meadow (of course)
- country dances, dining, and musicking (natch)
- country life: picking apples, treading grapes (just like Toiles de jouy)
- gods and goddesses frolicking, or fighting, depicting actual myths or symbolic ideas
- sentimental scenes: mamas showing babies to friends, mama in a Klismos chair cradling her newborn, and the like. Drawn so as to touch the heart. (incipient Romanticism and Victorian sentimentality)
- mourning a la Greque: bedraped lady droops over an urn while a willow weeps overhead (ditto)ere i
- landscape scenes: Vesuvius, towns spread along rivers, ruins (travel mementos?)
- royal portraits in cartouches (politic behavior in venues favored by the court?)
- patriotic motifs such as the three sisters: England, Scotland, and Wales
- patriotic motifs from across the channel (not made in England, that's for sure)
- moral stories: the seven ages of man and more
- satire: pre-marriage manly man/post-marriage bore, the shepherd's week, bad table manners on display (Gillray did fans, too, folks!)
- parlour games: the fanology game, the oracle game, charades, rebuses, enigmas and other boredom chasers or conversation starters (brilliant)
- dance instructions: steps and pictures (again, brilliant)
- songs: lyrics and, if memory serves, scores (sneaky: she didn't really know the song by heart)
I wonder if advances in printing, combined with cheaper paper, and an up-and-coming middle class, made for a big fan market with plenty of scope for printing fans for a whole variety of occasions and uses, from cheap memento or faddish toy, to the "young lady's first fan" to for-best wear. Given the variety of subjects, I can speculate fans and might very well have been sold at tourist venues, fairs, and as commemorative items.
Not all fans show the names of the maker, but some do, and there were English and Italian makers among those I saw, who employed designers to make series of fans or at least multiple fan designs in one style. Holler if you have found a good article covering this; it's on the to-do list but I haven't gotten there.
A few notes on construction:
- Some paper fan leaves appear to have been left in black and white, as part of the design. Others were stipple painted in watercolor, or washed in watercolor. In some cases, the British Museum collection has both a black and white and color version of the same fan design.
- Not all fans were made of paper. Some among the collections browsed were made of what is labeled "chicken skin" in museum notations. So the idea that fans were all paper before the nineteenth century may not be correct, unless there is a type of paper known as chicken skin. In the Tidens Toj collection, there is a pretty fan with ivory ribs and covered with white gauze. Silk flowers and foliage are glued to it, and it also features sequins and embroidery in colored silk. (Moden i 1700-arene: Danske dragter, by Ellen Dorothea Johanna Brodersen Andersen, p. 294.)
- Just like fans of the middle-eighteenth century, Regency fans did not open out flat, but only to roughly about 95 or 100 degrees.
There are a number of resources out there for making or decorating your own fans. The Costumer's Manifesto has a good tutorial called Copying Period Fans. Lauren, the Lady of Portland House, painted her own fans, and did a very pretty job of it, too. For those with cash and a desire for something quite real, Les Tresors d'Aurore by Aurora Walderhaug in Sweden offers gorgeous hand-painted fans mounted on recycled sticks. Thank you, Isis, for the recommendation.
|Polly paints around her decoupaged image.|
On the advice of Kathleen O'Brien, a working artist, we used Golden fluid acrylic paints (1 oz bottles), because, unlike watercolors, they will not soften the glue that holds the paper to the fan. We used Golden Fluid Matte Medium to extend the paints...one drop of color goes a long way.
I cut out and applied the central portion of an image, and decoupaged it on the fan. Then I looked at several other fan leaves and drew my own decor, using some of their fanciful bow and garland designs, to surround this central image as if the central image were in a cartouche.
At this point my fan sits on my bureau, pretty...but pretty unfinished. Only Kathleen finished hers during the meeting. Here's to completing them, so that we can enjoy fiddling with them at tea :}
A last note: This post is part of The 1790s Project, a research-and-sew-and-play project that our little group started in September 2009, over a year ago. Between Jenni over at Living with Jane and I, we have over well over 20 posts about what we have learned and what we have made. Read my 1790s Project posts.